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Corot Camille
Une Route pres d'Arras
mk71
Toile
H.0.35
L.0.46
Musee des Beaux-Arts d'Arras
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Corot Camille
Les Bucheronnes
mk71
1871-1872
Toile
H.0.878
L.1.150
Musee des Beaux-Arts d'Arras
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Corot Camille
Le Pressoir de Domfront
mk71
vers1850
Toile
H.0.159
L.0.255
Chateau-musee de Boulogne-sur-mer
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Corot Camille
Dunkerque,les bassins de peche
mk71
1875
Toile
H.0.35
L.0.47
Dunkerque,Musee des Beaux-Arts
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Corot Camille
Le Chateau de Wagnonville
mk71
1871
Toile
H.0.32
L.0.40
Douai,Musee de la Chartreuse
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Corot Camille
View of Genoa
mk87
1834
Oil on canvas
29.5x39cm
Chicago,The Art Institute of Chicago
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Corot Camille
Le Batelier de Mortefontaine
mk94
1865-70
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Corot Camille
Self-portrait
mk131
Toward 1835 oieo sober fabric 34x25cm
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Corot Camille
The Theater
mk131
1825
Oil on canvas
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Corot Camille
The forum of the garden farnes
mk131
1826
it painted from life since the palation
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Corot Camille
The bridge of Narnl
mk131
1826
It impressed by the contrast extre the ruin of this bridge gypsy temperate the Nera there the vast extension of the virgin landscape there abrupt in known environment.
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Corot Camille
The bridge of Narni.
mk131
1827
The critica hectares opuesto el boceto of 1826
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Corot Camille
The theater from garden it Farnes
mk131
1826
Another of tired views painted that hill from the anus of the palation
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Corot Camille
The castle of Sant Angelo and the Tiber
mk131
1826-1828
Corot considered always querencia the uniform lights
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Corot Camille
The Trinita ai Monti
mk131
1826-1828
Another good example of the role that the values play in the work of Corot.
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Corot Camille
Manana in Venice
mk131
1834
It painted during the second trip to ltalia, Corot Amuses the azure light.
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Corot Camille
The walk of Poussin Campina of Rome
mk131
1826-1828
outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
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Corot Camille
Ischa since the slopes of the mount Epomeo
mk131
1828
Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
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Corot Camille
Florence Since the Gardens of Boboli
mk131
1835-1840
The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
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Corot Camille
Volterra
mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
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| Corot Camille
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French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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